Their silence about Jews and other victims of the Holocaust also illustrates the selfishness of youth and ambition, the ideological atmosphere in which these German girls grew up, and the postwar staying power of these formative years.
Weiger underscores the significance of the marginal notation extraneous to the historian Cide Hamete's text I, 9 in which Dulcinea del Toboso is described as having the best hand for salting pork in La Mancha.
The problem, unfortunately, is that Pollak's film isn't content to zero in on the assertion promised by the title: "Misery Loves Comedy. See Undergraduate Engineering Handbook for important details.
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