Her explorations into the interior of earth might be precisely what drove Julie Navarro to engage in political practice, and to create art in the context of everyday life. As she made her way to the surface, she brought the community together - residents, artists and politicians alike. Through the aesthetics of the ephemeral, she emphasizes this essential, but oft-forgotten point: what unites men is greater than what divides them. In the same way as one creates a path by walking, what is important here is the process, what shines through, and what unites us.
Julie Navarro is focused on doing, on experimenting, recusing ready-made thinking, rejecting the cult of youth and the fashions of the day, which she does not follow. The time for idolatry is over. These feelings have become rooted again in the heart of the most cosmopolitan district of Paris, the 19th arrondissement.
This exhibition begs to be experienced like a walk in the countryside: signs are here to guide us; traces bring us together, in a soothing way, and give us faith in humanity - from end to beginning, the eternal repetition, the irony and beauty of Art in all its natural complexity. Quiet and unassuming, her work is an architectural installation reflecting its natural surroundings. As if the greenery were its habitat, The Garden Walk evokes the mashrabiya—Arabic for a type of window enclosed with carved wood latticework, casting spectacular patterns under sunlight.
Though this is the first time she has used architecture and mosaic tiles, the Parisian artist has used various mediums such as painting, sculpture, photography, collage, video, and even embroidery. Before she left Singapore, we grabbed the chance to find out what moves her.
What brought you to Singapore, and what is your impression of it? Laurent Guinamard-Casati, the architect of the new museum, had encouraged me to integrate the architecture of the Fort Canning Arts Centre. I think that Singapore is a very vibrant city, so multicultural and open to the propositions of international artists. The city of Singapore has proved capable of seizing the crucial role that contemporary art can play within our society.
Beyond the glamorous image of the art market, contemporary art should reflect the dynamics of our ever changing society, and thus reveal new insights, new forms of truth and beauty. How did you become an artist, or rather, when was the distinct moment in your life you decided to pursue this for life? Through the knowledge of art history, the exploration and the permanent confrontation with the world, through keen observation of your surroundings and the overwhelming urge you feel to bring forth a fresh look on the world to reveal new or unseen wonders.
The decision to live from your art arises from a deep necessity, an intimate and sensitive need, but also an imperious, physical one that comes along with a clear awareness of what this implies in terms of everyday work and struggles. I am glad that I have taken this radical step, because I am never totally satiated when it comes to scrutinising and trying to understand the wonders of the world, and of the human beings who comprise it.
I have been able to chart my own artistic path and to enjoy remarkable life experiences, notably during my political mandate in Paris, where my engagement and work within the community never estranged me from art, but strongly stimulated my imagination throughout the various projects I initiated and took part in.
You have an impressive repertoire of artworks spanning various disciplines such as painting, sculpture, photography, collage, video, and even embroidery. How do you decide which medium to use for a new work?
Sortez des sentiers battus en offrant un cadeau original
My works use many techniques, as varied as can be to inspire my projects and states of mind and being: for example, painting is a very gestural, sensuous medium. Sometimes, also, it is the very constraints of an open call or a specific tender that leads me towards the discovery of a new medium. But if you take a closer look at it, it looks in fact like a large scale embroidery work! What was the inspiration behind creating an imaginary Spanish garden?
I wanted to avoid a narration that would feel too explicit, predictable, and decorative.
Embroidery pour le Jardinier: 100 French Ideas for the Gardener
Right from the onset, I focused my attention on the motive of the mashrabiya—the typical window of a Spanish patio. It creates a very intimate and romantic atmosphere, conveyed by the grid pattern of its screens through which a warm and dense light penetrates. My work, covering a surface of square meters becomes integrated into an architecture where the inside and the outside echo each other.
The architect, Laurent Guinamard-Casati, is very keen on dialogue which enhances architecture, and at the same time creates an impact on the environment and its sensorial perception. His own work is grounded in the values and the aesthetics of human heritage, and to him light and therefore shades is a material and a structure by itself. What do you hope visitors will feel when they encounter your work?
I was very glad and surprised to see that youngsters attending the opening of the museum spent a lot of time taking pictures in this space, playing with the effects of the corridor. Those pictures have been shared and liked on social networks like Instagram. November "Flying Higher" By la Galerie du Buisson Artist Julie Navarro pays tribute to French writer Romain Gary — who would have turned this year — through creations inspired by his writings — in particular Treasures of the Red Sea, where Romain Gary plunges the reader into a completely different world, and a different time.
The novelist that I am, in love with these ephemeral diamonds, sometimes very pure, sometimes black, but always unique and deeply moving in their mysterious brilliance, has gone to look for them, into the inexhaustible mine of wealth and poverty that was once called the human soul Gary, born on a land of shifting borders, is an expert in duality and instability. In his footsteps, and following an aesthetic trail that is never so obvious as to let itself be guessed, Julie Navarro engages further with the world of myths, accessing new frontiers of interpretations and readings.
She experiments with the ability of painting to capture the materials, the light and the vibrations, and she loads giant stones with the weight of History, embodied in the petrified material. In a video, the oval material — is it a UFO?
The world I am devising metamorphoses into celestial objects that silently vibrate, in search of a hereafter and in quest of a new cosmic and sensitive geology. Thus, I allow thoughts and objects to drift freely, by association of ideas. Blur becomes a recurring motif to express the movement of things, of souls, of human beings, their vulnerabilities and their instability. The ever-changing body appears in the series White dog, where Julie Navarro depicts scenes of the animal realm: wrestling bodies merge into physical euphoria.
Between excitement, gentleness and resistance, and by radically deconstructing the frame itself, the artist opens up the imaginary, taking us to the frontiers of abstraction.
- The Big Hype: A Novel?
- Morality and Bioethics?
- You are here!
- Merrymans Crossing.
- Jo-Jos Big Day: Wee, Wicked Whispers: Collected Short Stories 2007 - 2008?
The galerie du Buisson, on the gentle hills of Belleville, is hosting her solo exhibition. Here the world is to be read through eyes with long green lashes, as in the old-fashioned black and white photographic portrait onto which the artist has embroidered. The forms appear to be imbued with great simplicity. They are carried by her gesture with affirmation and gusto, on the cusp of abstraction, to the sound Chopin, magnifying their soft and at times sensual charge.
Julie Navarro's embroideries capture bodies from various extraordinary perspectives, falling or flying, unleashed, freed from the weave of the industrial fabric. Yet the stitches are meticulous and tight, giving more depth to the material in a manner that is quasi sculptural in parts. The seductive power of these works is immediate. She toys with the absurd and the obsessive. Very strong they support up to 15kg shackles! Color: pink Ideales if you want to change your bags but not handles!
Offer some sewing and unconditional color with a voucher for the online shop. Let the recipient choose among the creations of Odile Bailloeul, imagine the wonders that they will enjoy sewing. We can send it directly to the person of your choice remember to fill in another delivery address or send it to you the lovely back of the card gives you space It coordinates with the Malabar and Lisboa designs.
For clothes, patchwork or decoration. Available in green, or Pink Exists in 5 sizes.
Leisure, Hobbies & Lifestyle Embroidery Nonfiction Books in French for sale | eBay
A fabric with retro charm that is composed of manuscripts, sheet music and old books in French! Chosen from the treasures of Isabelle Schwartz. It would be perfect as a cushion, to cover seats in a country house or library. The world of Isabelle Schwartz is Also exists with a green or black background. Very nice little velvet coin purse to customize at your will! Lining included.
Tutorial in english. With a set of metal cards made in Burkina Faso and painted by an artist from the … Read More. Garden of Traversine, 13 containers were designed on the principle of tiered farming. They are used for fruiters. A first row of strawberry, halfway up the container, then a second at the front of the tank, then berries currants, currants, … Read More.
Creating a terrace in an urban setting is an opportunity to find vertical farming solutions. We made this model with recovery pallets and empty bottles. The bottles were filled to 13 of clay balls to retain the water and prevent … Read More. This is the last step of the tin cans decoration workshop! After designinig black and white friezes inspired from traditional patterns from several African countries, after having them colored by the children of Bercy, we printed them on a water-resistant … Read More.
This canvas bag, ideal for shopping, is sold to the benefit of the Transjardins project.
Related Embroidery pour le Jardinier: 100 French Ideas for the Gardener
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